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Air Riders End of Summer Meet on Flickr.A beautiful custom Karmann Ghia.
Canon 40D, 11-16mm f/2.8, ambient.

Air Riders End of Summer Meet on Flickr.

A beautiful custom Karmann Ghia.

Canon 40D, 11-16mm f/2.8, ambient.

A working (!) phonograph at the Strathcona Antique Mall, Edmonton.
Nikon D700, 50mm f/1.4, ambient.

A working (!) phonograph at the Strathcona Antique Mall, Edmonton.

Nikon D700, 50mm f/1.4, ambient.

Friday - Noah and the Whale on Flickr.Noah and the Whale at the Edmonton Folk Music Festival. The stage lights were crazy for this set.
Nikon D90, 12-24 f/4, ambient.

Friday - Noah and the Whale on Flickr.

Noah and the Whale at the Edmonton Folk Music Festival. The stage lights were crazy for this set.

Nikon D90, 12-24 f/4, ambient.

Edward Sharpe. Not pictured: the Magnetic Zeroes. Edmonton Folk Music Festival 2011. More on The Gateway’s flickr.
Nikon D90, 80-200 f/2.8, ambient.

Edward Sharpe. Not pictured: the Magnetic Zeroes. Edmonton Folk Music Festival 2011. More on The Gateway’s flickr.

Nikon D90, 80-200 f/2.8, ambient.

Banff on Flickr.This little guy was pretty fearless. Nearly ran right onto my shoe. Click through for more.
Nikon D200, Tamron 17-50mm f/2.8, ambient.

Banff on Flickr.

This little guy was pretty fearless. Nearly ran right onto my shoe. Click through for more.

Nikon D200, Tamron 17-50mm f/2.8, ambient.

Morris Engman’s 1952 GMC Stepside.
Nikon D90, Tamron 17-50mm f/2.8, ambient. Processed with ColorEfex Pro in Photoshop. 

Morris Engman’s 1952 GMC Stepside.

Nikon D90, Tamron 17-50mm f/2.8, ambient. Processed with ColorEfex Pro in Photoshop. 

Thorsby Haymaker Rodeo, during the bareback bronc riding competition. There seemed to be a pretty firm line between the pros and the amateurs at this rodeo.
Nikon D700, 80-200mm f/2.8, ambient.

Thorsby Haymaker Rodeo, during the bareback bronc riding competition. There seemed to be a pretty firm line between the pros and the amateurs at this rodeo.

Nikon D700, 80-200mm f/2.8, ambient.

Burning an essay in effigy for a photo illustration.
Nikon D700, 50mm f/1.4, SB-800 top centre.

Burning an essay in effigy for a photo illustration.

Nikon D700, 50mm f/1.4, SB-800 top centre.

Ross building an increasingly complex card castle.
Nikon D700, 50mm f/1.4, ambient.

Ross building an increasingly complex card castle.

Nikon D700, 50mm f/1.4, ambient.

Julianna asked for some help shooting fashion photos for a school project. This is one of the shots I got whilst helping set lights.
Nikon D200, 85 f/1.8, softbox at left, gold reflector below. Colour tone with curves.

Julianna asked for some help shooting fashion photos for a school project. This is one of the shots I got whilst helping set lights.

Nikon D200, 85 f/1.8, softbox at left, gold reflector below. Colour tone with curves.

A man climbing the ice wall that forms on McGill’s campus every winter.
Bronica ETRSi, Kodak Ektar 100, ambient light, shitty desktop scanner. No colour corrections in Photoshop, just dust cleanup. Bear in mind that my Bronica has no light meter.

A man climbing the ice wall that forms on McGill’s campus every winter.

Bronica ETRSi, Kodak Ektar 100, ambient light, shitty desktop scanner. No colour corrections in Photoshop, just dust cleanup. Bear in mind that my Bronica has no light meter.

Lynx skeleton, Redpath Museum, McGill University, Montreal.
Bronica ETRSi, Kodak Ektar 100, ambient light, shitty desktop scanner. Slight colour corrections in Photoshop, and dust cleanup. Bear in mind that my Bronica has no light meter.

Lynx skeleton, Redpath Museum, McGill University, Montreal.

Bronica ETRSi, Kodak Ektar 100, ambient light, shitty desktop scanner. Slight colour corrections in Photoshop, and dust cleanup. Bear in mind that my Bronica has no light meter.

The Buddha, Redpath Museum, McGill University, Montreal.
Bronica ETRSi, Kodak Ektar 100, ambient light, shitty desktop scanner. No colour corrections in Photoshop, just dust cleanup. Bear in mind that my Bronica has no light meter.

The Buddha, Redpath Museum, McGill University, Montreal.

Bronica ETRSi, Kodak Ektar 100, ambient light, shitty desktop scanner. No colour corrections in Photoshop, just dust cleanup. Bear in mind that my Bronica has no light meter.

Scott Fenwick, interim CRO for the University of Alberta Students’ Union.
Nikon D700, 85mm f/1.8, Vivitar 285HV bounced off the roof.

Scott Fenwick, interim CRO for the University of Alberta Students’ Union.

Nikon D700, 85mm f/1.8, Vivitar 285HV bounced off the roof.

Madeline Smith for the Gateway’s spring fashion feature, Gravity Pope Tailored Goods.
Nikon D700, 50mm f/1.4.

Madeline Smith for the Gateway’s spring fashion feature, Gravity Pope Tailored Goods.

Nikon D700, 50mm f/1.4.

Air Riders End of Summer Meet on Flickr.A beautiful custom Karmann Ghia.
Canon 40D, 11-16mm f/2.8, ambient.

Air Riders End of Summer Meet on Flickr.

A beautiful custom Karmann Ghia.

Canon 40D, 11-16mm f/2.8, ambient.

A working (!) phonograph at the Strathcona Antique Mall, Edmonton.
Nikon D700, 50mm f/1.4, ambient.

A working (!) phonograph at the Strathcona Antique Mall, Edmonton.

Nikon D700, 50mm f/1.4, ambient.

Friday - Noah and the Whale on Flickr.Noah and the Whale at the Edmonton Folk Music Festival. The stage lights were crazy for this set.
Nikon D90, 12-24 f/4, ambient.

Friday - Noah and the Whale on Flickr.

Noah and the Whale at the Edmonton Folk Music Festival. The stage lights were crazy for this set.

Nikon D90, 12-24 f/4, ambient.

Edward Sharpe. Not pictured: the Magnetic Zeroes. Edmonton Folk Music Festival 2011. More on The Gateway’s flickr.
Nikon D90, 80-200 f/2.8, ambient.

Edward Sharpe. Not pictured: the Magnetic Zeroes. Edmonton Folk Music Festival 2011. More on The Gateway’s flickr.

Nikon D90, 80-200 f/2.8, ambient.

Banff on Flickr.This little guy was pretty fearless. Nearly ran right onto my shoe. Click through for more.
Nikon D200, Tamron 17-50mm f/2.8, ambient.

Banff on Flickr.

This little guy was pretty fearless. Nearly ran right onto my shoe. Click through for more.

Nikon D200, Tamron 17-50mm f/2.8, ambient.

Morris Engman’s 1952 GMC Stepside.
Nikon D90, Tamron 17-50mm f/2.8, ambient. Processed with ColorEfex Pro in Photoshop. 

Morris Engman’s 1952 GMC Stepside.

Nikon D90, Tamron 17-50mm f/2.8, ambient. Processed with ColorEfex Pro in Photoshop. 

Thorsby Haymaker Rodeo, during the bareback bronc riding competition. There seemed to be a pretty firm line between the pros and the amateurs at this rodeo.
Nikon D700, 80-200mm f/2.8, ambient.

Thorsby Haymaker Rodeo, during the bareback bronc riding competition. There seemed to be a pretty firm line between the pros and the amateurs at this rodeo.

Nikon D700, 80-200mm f/2.8, ambient.

Burning an essay in effigy for a photo illustration.
Nikon D700, 50mm f/1.4, SB-800 top centre.

Burning an essay in effigy for a photo illustration.

Nikon D700, 50mm f/1.4, SB-800 top centre.

Ross building an increasingly complex card castle.
Nikon D700, 50mm f/1.4, ambient.

Ross building an increasingly complex card castle.

Nikon D700, 50mm f/1.4, ambient.

Julianna asked for some help shooting fashion photos for a school project. This is one of the shots I got whilst helping set lights.
Nikon D200, 85 f/1.8, softbox at left, gold reflector below. Colour tone with curves.

Julianna asked for some help shooting fashion photos for a school project. This is one of the shots I got whilst helping set lights.

Nikon D200, 85 f/1.8, softbox at left, gold reflector below. Colour tone with curves.

A man climbing the ice wall that forms on McGill’s campus every winter.
Bronica ETRSi, Kodak Ektar 100, ambient light, shitty desktop scanner. No colour corrections in Photoshop, just dust cleanup. Bear in mind that my Bronica has no light meter.

A man climbing the ice wall that forms on McGill’s campus every winter.

Bronica ETRSi, Kodak Ektar 100, ambient light, shitty desktop scanner. No colour corrections in Photoshop, just dust cleanup. Bear in mind that my Bronica has no light meter.

Lynx skeleton, Redpath Museum, McGill University, Montreal.
Bronica ETRSi, Kodak Ektar 100, ambient light, shitty desktop scanner. Slight colour corrections in Photoshop, and dust cleanup. Bear in mind that my Bronica has no light meter.

Lynx skeleton, Redpath Museum, McGill University, Montreal.

Bronica ETRSi, Kodak Ektar 100, ambient light, shitty desktop scanner. Slight colour corrections in Photoshop, and dust cleanup. Bear in mind that my Bronica has no light meter.

The Buddha, Redpath Museum, McGill University, Montreal.
Bronica ETRSi, Kodak Ektar 100, ambient light, shitty desktop scanner. No colour corrections in Photoshop, just dust cleanup. Bear in mind that my Bronica has no light meter.

The Buddha, Redpath Museum, McGill University, Montreal.

Bronica ETRSi, Kodak Ektar 100, ambient light, shitty desktop scanner. No colour corrections in Photoshop, just dust cleanup. Bear in mind that my Bronica has no light meter.

Scott Fenwick, interim CRO for the University of Alberta Students’ Union.
Nikon D700, 85mm f/1.8, Vivitar 285HV bounced off the roof.

Scott Fenwick, interim CRO for the University of Alberta Students’ Union.

Nikon D700, 85mm f/1.8, Vivitar 285HV bounced off the roof.

Madeline Smith for the Gateway’s spring fashion feature, Gravity Pope Tailored Goods.
Nikon D700, 50mm f/1.4.

Madeline Smith for the Gateway’s spring fashion feature, Gravity Pope Tailored Goods.

Nikon D700, 50mm f/1.4.

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